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The Fujifilm X100VI recipe I used for every red rock shot in Sedona.
A Classic Chrome-based recipe with a warm white balance shift and DR400 that pulls incredible detail out of ochre, amber, and earthy tones. Punchy reds without blown highlights. It looks like Kodak Portra 400 shot in the American Southwest in 1974.
Best for: desert, golden hour, brick buildings, warm café interiors, travel.
Includes full settings for every parameter — film simulation, grain, color chrome, white balance, dynamic range, tone curve, color, sharpness, and noise reduction.
SOOC — straight out of camera. No editing required.
The Fujifilm X100VI recipe I used for every red rock shot in Sedona.
A Classic Chrome-based recipe with a warm white balance shift and DR400 that pulls incredible detail out of ochre, amber, and earthy tones. Punchy reds without blown highlights. It looks like Kodak Portra 400 shot in the American Southwest in 1974.
Best for: desert, golden hour, brick buildings, warm café interiors, travel.
Includes full settings for every parameter — film simulation, grain, color chrome, white balance, dynamic range, tone curve, color, sharpness, and noise reduction.
SOOC — straight out of camera. No editing required.
